“Shot in his Johannesburg studio in South Africa, William Kentridge reveals the process behind the video work Breathe — a component of the larger project (REPEAT) from the beginning / Da Capo (2008) that debuted at the Teatro La Fenice in Venice and at the nearby Fondazione Bevilacqua La Masa in San Barnaba, Italy.” Art:21 Blog 29/01/10
“Shot in his Johannesburg studio in South Africa, William Kentridge reveals the process and unusual presentation of the video work Return — a component of the larger project (REPEAT) from the beginning / Da Capo (2008) — which had its debut on the fire screen of Teatro La Fenice opera house in Venice, Italy.” Art:21 Blog, 19/02/10
“With his video History of the Main Complaint (1996) serving as a backdrop, William Kentridge discusses how artists draw upon tragedy as subject matter for their work and how drawing itself can be a compassionate act.
Having witnessed first-hand one of the twentieth century’s most contentious struggles—the dissolution of apartheid—William Kentridge brings the ambiguity and subtlety of personal experience to public subjects most often framed in narrowly defined terms. Using film, drawing, sculpture, animation, and performance, he transmutes sobering political events into powerful poetic allegories. Aware of myriad ways in which we construct the world by looking, Kentridge often uses optical illusions to extend his drawings-in-time into three dimensions.” Art:21 Blog 02/04/10